Poetry saved my life

Five years ago, I was severely obese, unhappy in my marriage, unhappy at work.

And then poetry changed my life. My dad shared his poetry with me for the first time. He’d written all his life, but this was the first time I found out about it.His poetry was the best gift. I now had insight into the complexity in his head, his product of thought made solid onto paper.

I started writing poetry, too. And I learned how to assert myself. I validated my dreams. Lost husband, lost job, gained friends, gained a severity and clarity of being.

One of my favorite poems by my Dad:

BREAD DAY
Martha churned yesterday
and again today.
Continuous up and down strokes
to separate the creamy oils from the water.
Her butter-maiden complexion
exudes a satiny luster
as she listens to Dvoraks’ Pastoral Symphony.
churn, churn, churn.
“Martha, get me a quarter pound of yesterday’s butter
and take off those headphones.”
She’s oblivious to my requests
as she gazes across the fields.
We’ve hired the Purvis boys
to help make hay.
As each bale is loaded there’s a
churn, churn, churn.

They must be working fast,
Martha starts to sweat
and moves the cask closer
between her legs and holds it
in place with her thighs.
churn, churn, churn.
I slice the butter myself
and let the richness flow
into two cups of scalded milk.

The yeast is frothy
and fertile as it expands
above the bowl’s edge.
A potent mushroom
of expanding ova
fed from amniotic sugar water
and the warm womb of the stove.
“Rose, have you fetched the eggs?
Mix three with a cup of brown sugar
and two teaspoons of salt, please.”

Rose, my youngest, is only ten
and not yet aware of how significant
Bread Day can be.
Neither are the women in the room,
Gentleman Farmer’s wives,
they’ve read of fertility
in textbooks.
But Martha knows.
churn, churn, churn.

I mix the moist ingredients.
Egg mixture to milk
and then the yeast,
always that order,
careful the first two
aren’t too hot.
The fecund bubbly broth
impregnates
eight cups of flour.

And then I knead
and think of John
as I’m sure he
is thinking of me.
He used to take breaks
from tilling and
mending fences and
seeding the land
to watch me knead.

That was before the kids,
before the neighbors,
and I’d stand, legs apart,
the front of my thighs against the table,
bent over, kneading the dough
and he’d knead my neck and back
and we’d have a natural rhythm
back and forth.
John knows.
Martha knows.
“Let them come.” He said.
“It’s too good to keep secret.”

The dough, insidious pheromone,
rising in a bowl
in a pan of warm water,
sets blissful smiles
in the Great room.
Martha lets out a moan
as the last bale is stacked
and the Purvis boys disappear.
Knowingly, I tell her.
“Until you find the right one,
they always leave too soon,
but at least the butter’s done.”

While the bread is rising
Martha sautes sausage and
Rose grates the cheese and
I sit with the women.
The conversation is still about fertility.
“Of course I’m fertile,
look at how many children I have,” Jane says.
They ask for my opinion.
“Fertility is a way of life,
not how many children you conceive,” I say.
“Where did you read that?”
I keep quiet, startled they don’t comprehend.
Rose will know before they do.
John said it would be hard.

I take the dough, roll it out.
“It’s not coincidence” John said, “that
the countries known for romance
have phallic shaped loaves.”
He calls it “lingam vitae.”
I call it “delicious.”
I think of John again
as sausage and cheese
is generously spread
onto the half-inch thick dough
and rolled up and placed in the pan
to rise again.

The bread, the long brown loaves,
need to cool before serving
but we can’t resist.
As I cut the end slice,
steam and molten cheese
spurt out, “very fertile bread.”
Martha agrees.
The women each have a slice.
Cheese drips down their chins
and they go home content
to make their own bread.

— Mark Stacks

 

 

You can’t go home

You gotta be careful what follows you home. It might let you keep it.

Gotta be careful what you let back in, too. It might die.

Year ago, Mom came home after nine month hell. She died a week later.

I sat alone in the dark and wrote good stuff for two months. Went out to read it. Lady poet followed me home. Told me I was keeping her.

Entered a bad anti-Stephen-King movie where this serene Zen Whiteness crept over my cluttered dense dark. She took the holes outta my walls. Clean crept over my chaos. She stole the polyps from my voice, the hopelessness from my view.

Then 8 weeks radiation, sunburn hell.

Woke up, junk gone, floors clean, sunshine scene. Someone buys my 3 level studio loft two weeks later.

So we move to friend’s two-room Fairy Trap Love Shack.

We’re leaving country, we won’t look back.

Lost Mom, solitude, possessions, place, semi-famous space, countryman’s face.

Good riddance, glad to go. Hello new tomorrow.

Researching communes

A friend of ours suggested that we check out communal living during our travels. After sending out four inquiries, I’m pleased to receive word back from the Fox Housing Cooperative this morning.

The cooperative offers 1 week trial periods during which we’re expected to help with its organic farming endeavours.

Although I doubt we’ll do this particular commune, it’s pleasing to me to have this information, this option. I feel as though the world is our oyster. Steve and I surf the web, talk with friends, consider possibilities, and we milk the real out of the virtual.

Our Green Panda Press book is available

Panda Nuse; the Smiths; Coupla Books announcin the arrival of a long-awaited joint.

Chaos City: Pomes by the Recently N-Gauged by Steven B. Smith and Kathy Ireland Smith

6 broads; 2 x th lady; 2 x th goirm, 2 x th 2 ovem .in a red max-velope, 42 different covers.

Mr. Smith is the longtime publisher of ArtCrimes. his website www.agentofchaos.com contains half a million past-issues of the mag, plus it features numerous guest artists and poets. Steven is a sculptural artist and dada hell yeah maestro of collage. Check it!

Mrs. Smith has an online poetry mag featuring cleve. poets called The City Poetry Magazine. fer a glimpse at a recent issue go to www.thecitypoetry.com.

her poems were published as part of the Green Panda Press Unboxed Set: Anthologese the Next in 2004, in a dos-a-dos chap w/Charles Potts aka Laffing Water outta Walla Walla, WA. and she is in many little magazines.

if u’d like a copy of Chaos City, seven dollars covers shipping and the
book. email ms. bree (breestings at yahoo dot com) so many other titles available from Green Panda Press….help me keep it going!

and Buy Buy Buy ArtCrimes…..im sure u’ll see postings for the various readings. there is a cast of thousands. cleveland history in the present sense.

thanks and ill leave yas w/ a quote i likt:
in the novel Kafka on the Shore, Haruki Murakami writes:::

“artists–poets, novelists, and so forth. in the past men of property in
various localities helped support artists. art was different back then, and wasn’t viewed as something one should make a living at.”

and my poem/book review/attempt to get people to read Kafka on the Shore:

k is for kafka
on shore or off
trying not to fuk his mom
trying to assist the ghost of an ancestor
trying to be got alone
labyrinth like guts
he says
in order to find yer way out
gotta know way round in
lay the cat guts for lyre later
inna freezer turned less freezing

kid spills guts and ancestor
finds the city center

a library,
of course.

happy monday. Bree

Objectification, Abstraction

KathI’ve always had this thrilling idea, the idea of being Olive Oyl. Bluto would tie me down to a railroad track.My pale skin, my pulse beating, beating, beating. So frail, prone, a limp bird waiting for Popeye to rescue me.But oh, aching for the thrill, the rescue as equally exciting as being eaten, the train crackling over my lusting, heaving ribs. Some smashing satisfaction, obliteration of my objectified self.**

Used to have nightmares where I was the only person with superpowers. Volcanoes, atomic explosions would plague the neighborhood in these dreams. I could fly, and I’d try to rescue women, children, old men from rooftops. But I’d find I could only lift one, two people before my flying powers would be too weighed down, before I’d also sink into the lava or get burned by an atomic blast.

Dad told me stories about the world. About how bad Reagan was, about how scared Dad was. And Dad listened to me and we would speculate. Dad and I planned on storing barrels of food in our basement. To my horror, we never did.

I was about 8 years old and I tried preparing for my family. I’d heard about bomb shelters, so I tried to dig one in my backyard with a spoon.

I soon found out that a spoon is not an effective tool for a little girl in the dirt.

In order to protect myself from this despair, I used to think, So what if everyone dies? So what if there are massive problems that can create de facto Hell on Earth. I used to think, What is the difference, from my perspective, between my dying and the whole earth’s death?

**

It’s hard to feel pain. Being and being aware on this planet is painful. We blight the earth, tap its resources. We have the awareness of a single being, being in our current cog, being only in this lifetime. Easy to dissociate.

The philosopher Marcuse sees generalized skepticism and cynicism as the modern ailments. Problems are too complex, information too plentiful. People want easy, quick, feel-good solutions. People do not want to deal with complexity; it’s easier to despair. We banalize and rationalize matters of importance.

The German philosopher Habermas parses human interest into three categories: labor, communication, and liberation. He stresses communication, the necessity for free dialogue.

I think Habermas stresses dialogue’s utility as more of a political tool. My immediate utility for dialogue is for personal liberation.

Dialogue helps the self become the self. Other people are my mirrors, my rocks, against which I hone my self.

Prior to developing friendships in the poetry community, I was alienated. I felt too self-important. Despair was a rationalization that alienated me, protecting my super ego. But after too much separation, my super ego warped.

Matters of the most importance were just abstractions until I found friendship. Companionship has given me a stake in the world. By caring about other people, I care about my self. We are all on the same boat; we are all raised or lowered together.

My life is now connected to other lives. It is not abstract, not expendable, not just an idea.

**

Thinking now of abstraction as a symptom of alienation.

I’ve often thought of traditional religions as abstractions. They remove reality from the real; they make the metaphor more important than the actuality.

 

Good cat needs home

3PO was included in our travel plans from the first.

unfortunately, he goes crazy whenever taken outside, and psychotic when taken in a vehicle.

i tried for months to acclimate him in small doses to lessen his fear.

to no avail.

we did not decide not to travel with him.
he decided not to travel with us.

he loves us.  we love him.

he has to allow us the need to travel
we have to allow him the need not.

we each choose and pay for our path.

this is all made worse because there are many who love him, would love to give him absolutely wonderful homes  - but he is intimidated by other cats - demands to be single 4-footed lifeform in house.

he gives - and takes - but will not share.

choose and pay.

it’s not my health takes precedence - all things weigh equal.
cancer, untravelable cat - both facts to be fixed.

except i don’t know how to fix his fear.

he would be truly miserable if we forced him to come.
we would be truly miserable staying.
this is no longer a country i can live in with honor.
he can not live elsewhere due to his fears.

no way to solve this situation except to find him a special place as consolation.

ArtCrimes reading date errors

We’ve changed a couple dates on the ArtCrimes reading list. I’ve modified the posts and pages on this site to indicate the correct dates.

Video Collection for sale

4,552 film titles on VHS tape 4 sale
1894 thru 2006

collected by artist/poet/publisher Smith from 1991-2006

4,500 films sorted by titles at
http://www.agentofchaos.com/film_titles.html

4,500 films sorted by directors at
http://www.agentofchaos.com/film_directors.html

class & trash
best of the best, worst of the worst
cult / mainstream / foreign / avant-garde / animation / silents /
talkies /
3-D / documentaries
b&w / color / all genres

never been, never be
another collection this wide
this good, this varied, this deep
this eccentric, this odd
this tasty

NOT selling individual units
selling entire collection as single unit
am talking to a couple folk, a couple institutions
whom may be interested
won’t have price until negotiations finished

but offers accepted because 1st decent offer wins

some have multiple titles per tape
some have 2-10 tapes per title
I’m guessing 4,000 actual tapes for 4,500 titles
unless we get a chance to do inventory on these 69 boxes of tapes
I cannot be certain
there will be a very few missing titles over these past 15 years
and there will be more than a few in the collection NOT on this list

ArtCrimes 21 readings and pickup

We have changed a couple of dates on this list: 

here’s the final line-up for both
the ArtCrimes 21 readings
and
the NON AC21 readings

free copies for contributors
and copies for sale will be available
at ALL these venues.

1 . . . . . . . NOT an AC21 reading
Friday July 7 - 8:30 p.m.
DeepCleveland Borders Bookstore
featuring Jeff Kosiba
17200 Royalton Rd.
Strongsville, Ohio 44136
440-846.-144
open mic follows

2 . . . . . NOT an AC21 reading
Saturday July 8 - 3-5 p.m
Brandt Gallery
open reading
1028 Kenilworth
Cleveland, Ohio
216-621-1610

3 . . . . . . . NOT an AC21 reading
Thursday July 13 - 10 p.m.
The Literary Cafe monthly reading
featuring RA Washington & Jen Sincero
1031 Literary Rd
Cleveland, Ohio
open mic follows

4 . . . NOT an AC21 reading
Saturday July 15 from 3-5
The Bookstore On West 25th Street
open reading
1921 West 25th St Cleveland, Ohio
216-566-8897

5 - ArtCrimes 21 reading
Saturday, July 15 - 8:00 p.m.
@ C-Space - 4323 Clark Avenue
Cleveland, Ohio

6 - ArtCrimes 21 reading
Saturday July 22 - noon to 2 p.m.
@ Gallery 324 - the Galleria
East 9th & St Clair Cleveland, Ohio

7 . . . . . . . NOT an AC21 reading
Friday July 21 - 8 p.m.
North Water Street Gallery
open mic
257 North Water Street Kent Ohio
330-673-4970

8 - ArtCrimes 21 reading
Saturday July 29 - 3-5 p.m.
SPACES Gallery
2220 Superior Viaduct
Cleveland OH 44113
216-621-2314

contributors get 1 free copy
book is 144 page 172 artists

book sells for $15

books available at
Macs Backs Books
Bookstore on West 25th Street
SPACES Gallery
Loganberry Books

Special price from the Smiths
for the next 3 weeks only:
1 copy for $15
2 copies for $25
3 or more copies for $10 each
(plus postage if applicable)

Bookstore and Gallery copies are $15 each

agent for ArtCrimes past and present after we leave the country is Mark
Kuhar of Deep Cleveland Press

Being in the world

Kathy and SteveSteve told me a story about his childhood. He was running and he knocked his shin against a concrete block. He thought hmm, my leg doesn’t feel quite right. Lifted up his jeans to discover a cut, a slice right to his bone. It didn’t even bleed. The flesh just parted. And in the sunlight, the bone was the most white material on earth. Almost supernaturally flourescent white. It glowed. He was compelled to stick his finger on the bone, to touch it.

I’ve been thinking a lot lately about experience vs. concept. For much of my life I’ve had a concept of particular things and events: death, career, friendship, love. The crucible of adult experience has strengthened some of my concepts and obliterated others. I have this idea that a lot of my generation’s outlook is based on conflated nostalgia. That we are removed from real experience, that we take one single walk in the park with a parent and conflate it into this whole meaningful experience: Oh, yes, I used to walk in the park with my parent. When actually it only happened once. (This is just an example.)

A friend once explained to me that he couldn’t get any satisfaction. He’d go to nightclubs, shows - anything to try to feel happy. From event to event. But he couldn’t feel anything.LegsI yearn for days and days, continuity with friends, multiple lifetimes with my friends. I yearn for a common experience about which we can talk and remember. I relate to the vibrant fading planet, to long walks. To pleasure of skin and lungs and air. To agreements made between two people. I relate to people who have done things, who know the scope of things. To my companion who bangs around in his loosely constructed truck.

**

Listening to a series of philosophy lectures, “Self Under Siege.” The gist of the lectures is about how to establish meaning, identity, outlook in the post-modern era.

One of the initial philosophers discussed is Heidegger. Heidegger’s ideas seem particularly pertinent to our adventure:

1. Humans are abandoned to the “they,” to initial circumstance. We are “thrown” into this life. The lecturer makes a point that many of an individual’s values are actually societal values which the individual just thoughtlessly adopts.

2. Until we face nothingness, we fill our lives with business.

3. Ideally, we are to be free for our projects. This is the great endeavour, the grand stanza.

Steve and I are trying to act as our own agents in this world, on our own authority.

Until recently, I had followed the path of least resistance. I fell into my cog: career, family. I’ve always had this idea that I would travel in Europe, that I would meet intellectuals, artists, poets. I had a false idea that someone would give this to me, that I wouldn’t have to pursue it. That the path would just open forth.

Steve says you have to go to the bridge. The bridge don’t come to you.

People assume that they have to wait for all conditions to be perfect before trying to pursue a dream. Conditions will never be perfect. Steve is hopefully recovering from cancer, but even if he isn’t recovered, we have to pursue our goal. We are not going to wait and wait and wait.

On a more practical note: we do want to have regular checkups of Steve’s throat while in Europe. I’m wondering which European countries have the least expensive healthcare. Is it possible to get radiation therapy in Eastern Europe? If anyone out there has information about this, please contact me.

I WHO PART LEAF IN DREAM

How often do you
see an angry fly or the
shadow of gravel?
We who roar by on the highways

On this walk,
and the day is suddenly warm,
makes a perfume of the foliage
and Sky Pappy is all clear,
the silent slice of a bird’s
straight line through the blue–

Who is more awake?
The bird or the man who just
chunked by in his truck, off to his
industriousness?

I think the insects are
more awake, bumbling
about in their outside business

Would I, outside all the time
become drugged?

Is it only the sharp splash
into a pool that thrills?

Can this shiny world keep shining
please?

I who part leaf in dream