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Archive for August, 2011

Closed Shop

Wednesday, August 31st, 2011

2nd chance – foto by Smith

Closed Shop

I used to have dilemmas
a whole herd of them
until I sold them for a pack of solutions
but I was better at holding dilemmas
than hustling solutions
so lost it all
but at least the dilemmas were gone

– Smith, 8.31.2011


Dilemma – foto by Smith

 

Laptop Dance

Tuesday, August 30th, 2011

It’s all relative – foto by Smith

Laptop Dance

Set laptops in laps
“Armed, Captain”
open monitor lids
“Shields raised and ready”
turn on
“Make it so”
go cyberwhere
parasitic lap lover
excreting heat and bitten bytes
symbiotic sex self
slaving in lap
mingling freqs
freak to geek
pulse to pulse passion
flowing go
upload and down
with a bit of the old port in n out
until she cries
“Use me used, you USB”
(if only I had more RAM in my ROD)

— Smith, 8.30.2011


Ramifications – foto by Smith

 

Do the cat dance

Monday, August 29th, 2011

Shadow cat – foto by Smith

I find I keep writing the same poem . . . a haiku/senryu about our cat Mandy doing her little cat-dance where she’s making-milk-or-bread while two-legged doing her two-paw push-push into a soft blanket, her tail swishing back and forth while she purrs ecstatically. Found these three from the past two years; there are probably more. Anyway, it’s a good excuse to show my new cat-shadow fotos.

Does soft surface dance
paw paw press purr tail swish swish
making milk and bread


Shadow cat – foto by Smith

Cat making milk with
paws pushing plush pile blanket
purr tail lashing


Shadow cat – foto by Smith

Push push the plush plush
Cat makes milk on soft blanket
Her purring our heart


Shadow cat – foto by Smith

 

the catbird bop

Sunday, August 28th, 2011

The Owl & the Pussycat, 2011, 39″ x 27″ x 7″- assemblage & foto by Smith

The Owl & the Pussycat Have Sex

Such a strange love this fowl and feline
this bond between cat and bird
in waters deep beyond their reach
a heck of a hoot
in their catbird heat
with a fine feathered furring for each.

Except that
this part here
won’t fit that part there
and just where does what enter what
and if they do
and these things merge
do their children
an egg-fur-flux future share?

Or if cat and bird
choose even stranger loon
perhaps they’d do it doggie style
while howling, hooting
and meowing at the moon.

— Smith, 8.28.2011

Titled my new assemblage The Owl & the Pussycat, so wrote this send-off poem to christen it into this fairy tale-less world.

Check out the original poem by Edward Lear which he wrote in 1871 for the 3-year old daughter of a friend . . . I’ve included it after the following fotos.








The Owl & the Pussycat, 2011, 39″ x 27″ x 7″- assemblage & fotos by Smith

The Owl and the Pussycat
– by Edward Lear, 1871

I
The Owl and the Pussy-cat went to sea
In a beautiful pea green boat,
They took some honey, and plenty of money,
Wrapped up in a five pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
‘O lovely Pussy! O Pussy my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!’

II
Pussy said to the Owl, ‘You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?’
They sailed away, for a year and a day,
To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.

III
‘Dear pig, are you willing to sell for one shilling
Your ring?’ Said the Piggy, ‘I will.’
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.

I just love that dancing by the light of the moon stuff. An unfinished sequel, The Children of the Owl and the Pussycat, was published posthumously in 1938. This is what made me wonder how owl and pussycat cohabitated, how they did their catbird bop.

 

7 = cover boy

Saturday, August 27th, 2011

foto by Smith

I’ve had six of my fotografs used for book covers these past two months (+ one back in 2008 for which I actually got paid $100 by the publisher), all by request of the poets and writers, which tickles my ego pleasure center no end.

The foto above on Bree’s autobiography the Rainbow Sweater & My Mother was taken in poet/artist Peter Leon’s studio this year. The book contains “stories of LSD, karma, chronic pain, the poets’ life, daughterhood and Buddhism” and is available via Bree’s Green Panda Press for $10 at

facebook.com/pages/The-Rainbow-Sweater-My-Mother/199641666761425
or
greenpandapress.blogspot.com/.


foto by Smith

This was taken in a display window in the ancient city of Pula on the southern tip of Croatia’s Istrian coast back in 2006. It will be the cover of Chris Brook’s upcoming chapbook The City Shaman’s Notebook soon to be published by Vertigo Xi’an Xavier’s The Poet’s Haven Press. Several of the poems in Chris’ book were inspired by my wife Lady K (who is indeed inspirational).

poetshaven.com/singlepage.php?html=bookcontents.php&section=23&page=0


foto by Smith

This foto was taken inside the walled city of Essaouira, Morocco on the northwest coast in 2007. Sara Holbrook asked to use it for her book More Than Friends by Sara Holbrook and Allan Wolf.

Sara’ is a well known children’s book author, and her many books may be ordered at
saraholbrook.com/BOOKS.HTM



fotos by Smith

Last month I had the front and back cover’s of Dianne Borsenik’s best haiku/senryu Blue Graffiti published by John Burrough’s Crisis Chronicles Press. It is available for $5 from
Crisis Chronicle Press.



fotos by Smith

And finally last week I had the front and back covers of my own chapbook Unruly published by John Burrough’s Crisis Chronicles Press. It is available for $5 from
Crisis Chronicle Press.

Except for Sara Holbrook’s book, these covers are all from the past two months, which is rather a nice run for me. There are more fotos I’ve let others use as covers, but I’ve forgotten which ones because I no longer keep lists of shows, covers, publications, readings, etc because it became too masturbatory. All I keep now are the dates of my poems as I write them.

 

 
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