Blog Home Agent of Chaos City Poetry Zine Buy Stuff!
 
...and they lived happily ever after. Smith & Lady: poets, artists, photographers & adventurers.
Our relationship was forged to the soundtrack of Yoko Ono's magic,
frenetic, love-laden song, "Walking On Thin Ice." ( play song )
 
   
 
 

Archive for the ‘creativity’ Category

Blue Sky Folk Festival May 19 in Kirtland, Ohio

Friday, May 11th, 2012
Blue Sky Folk Festival May 19 in Kirtland

Blue Sky Folk Festival in Kirtland on
Saturday, May 19

. . . where great musicians can connect with new musicians . . .

Blue Sky Folk Fest Great Guitar Raffle

Blue Sky Folk Festival Gift GuitarCheck out this awesome guitar that could be yours! The guitar will be signed by all of the featured performers at Blue Sky Folk Fest 2012.

It’s a full size Dreadnaught style cutaway guitar with a fantastic blue sunburst finish, professionally setup up by luthier Patrick Podpadec from Wood-n-Strings Guitar Repair Shop. Equipped with a piezo pickup system with active EQ controls, it includes a gig bag, guitar strap, guitar stand and extra set of strings. This guitar is ready to plug in and play with the tone and action like the pros have.

Raffle tickets on sale at Blue Sky May 19. $5 each or 5 tickets for $20.

Music, Music and More Music

Model wearing shirt showing Blue Sky Folk Fest designWhat a line-up: Hal Walker, Matt Watroba, Dale Rodgers, Laura Lewis Kovac and Hickory, Rebecca Wohlever, Tina Bergmann, Bryan Thomas & Hu$hMoney, Marc Yanko and more . . .

Don’t Be Caught Short-Shirted

Pre-order your 2012 Blue Sky t-shirt online and save! Pick it up at the festival May 19. These shirts will sell out!

A Search for Harmony

Last year's cookieFour “official” jam sites will be set up at the May 19 Blue Sky for musicians to practice and meet other musicians, but we know from last year that they’ll set up and play anywhere they please.

More Open Mic !

This year we’ve expanded to two stages – featured performers and open mic. The extra stage will give more open mic musicians a chance to shine – hosted by Spoon Too Soon, who will also perform their own brand of back porch roots, folk and country music.

Plan Your Day

A jam session at last year's festivalDon’t miss your favorite artist. There are workshops and classes too; view our schedule online.

Family Corner

Spend a day soaking up sun* and music – The Blue Sky is truly a family affair. Kids 12 and under come free. Crafty music and art-making, harmonica lessons, spoon lessons (what?!? you’ve never played a spoon?!?), clogging, storytelling, a playground and more . . . plus, mmmmmm, root beer floats, (n)ice cold lemonade, and fantastic fair food.

*tho this festival will be held rain or shine!

Creates wonderful memories for both adults and childrenBut I Just Want to Listen

Absolutely. Sing along, dream a little, listen a lot. No instrument required.

What? Klezmer Music?

What is the Workmen’s Circle Klezmer Orchestra doing at a folk festival? The genre originated in Eastern Europe and the particular form now known as klezmer developed in the United States Traditional clog dancingin the milieu of Yiddish-speaking Jewish immigrants who arrived between 1880 and 1924. Nope, not bluegrass, not roots music, not country – but it’s still Northeast Ohio folk music, and we thought you’d like this rousing start to the Blue Sky Folk Festival at 11 a.m.

Share and Share a-Like

Do share this newsletter with your friends – share our Facebook pages – “Like” us on Facebook. Help us bring the folk music community together in Kirtland on Saturday, May 19.

Blue Sky Folk Festival at East Shore: A Search for Harmony
Saturday, May 19, 2012    11 a.m. – 7 p.m.
East Shore Unitarian Universalist Church
10848 Chillicothe Rd. (Route 306 just south of Route 6), Kirtland, Ohio 44094
Map

 

Why I wish for a more positive (beneficial) future

Wednesday, May 9th, 2012

1. Because I care about children of homo sapiens and I wish for them to enjoy seeing Nature.

2. Because I care about animals (non homo sapien animals) and children of these animals and I wish for these children to grow in number and health and to have a lot of habitat restored.

3. Because I care for the pristine-ness of water, air and soil.

4. Because I care for the currents in the oceans of this planet and the currents in the air and I wish for these currents to be healthy. I see them as a circulatory system for this beautiful planet.

5. Because I care for my immediate family and the families of all, and I wish for all to not be impoverished, to not starve. And for people and entities who don’t identify as having families–I especially wish for these entities to feel loved and cared for and to realize that maybe they do have families after all, of sorts.

6. Because I want to feel happier, knowing that as many people and animals and as much habitat and health as possible are safe and are saved (all if possible).

~ Lady

 

Being at Peace in Community – Introducing Ourselves – Thoughts

Sunday, April 22nd, 2012

I was very calm and happy yesterday during our meeting, “Introducing Ourselves: Being at Peace in the Community.” Only a couple poems per se were read—the rest of the time we were wrapped up in intense, interesting discussion. I followed the discussion where it led, not wishing to impose too much of the initial kernel of the idea (meeting with police to stop violence) on the group but rather seeing where the community need is greatest. It seems that people are most concerned about children and community issues with children. At first we talked about the need to help stop bullies—we theorized that bullies are bullies because they have been bullied at home. So we discussed the need to create safe, kind role models who kids can emulate if they do not have that experience to draw from at home.

And we became very concerned about the perception of kids—like, for instance, if we were to just perform at a school one time and then move on to the next event somewhere else, what kind of expectations have we set up for the kids? Have we really helped things or have we just done something for the name of the project rather than the project’s mission?

So there was this sense of wanting to hunker down and really understand how to set the pathways to change even after we’ve gone to the next location (if that’s what we’ll do). And definitely the thought of following up and also preparing people – like meeting a week before hand and just kind of chilling with and meeting the community, then the next week doing the actual creative event, and then the following week (as an example of a time scale) doing some kind of follow-up action.

Then we really started learning more about the scale of issues in some parts of the community. I’ve not lived in a particular neighborhood where I’ve had to worry about being shot much. Some have. One person came in to the meeting and discussed the project with which he’s involved, the Community Greenhouse Project. This project is setting up in a neighborhood where there were multiple killings. I like the idea of the garden as a healing and integrative experience and hope that the project succeeds and helps people in the neighborhood.

We also talked about the need for people who have good heart to learn more rather than impose a mission ignorantly. So it was posited that some initial events could involve a kind of “we’re here, listening; please inform us and help us understand” message. Rather than broadcasting something “from above” it would be a mission of extended community building that is respectful.

Some talked about the existence of gangs—something that I hadn’t even considered, hadn’t even hit my radar of consciousness. I mean, I’ve read about gangs a small bit but didn’t really know that there were gangs in Cleveland. I really think that even if someone identifies as belonging to a gang that doesn’t necessarily mean that the person is bad. (My inside belief: no one is actually bad—it’s only the circumstances and the actions that might be bad.) So it is important to me to think about people in terms of them being people with families even if gang members, but to not ignore the reality of the issues involved with gangs.

There was the discussion of the need to explicitly identify core principles as a group and as perhaps individuals acting on our own or with other projects, and how this can focus collective vision.

We talked a little bit about how to get kids and parents more interested and perhaps slam poetry might be a means of doing this, as it is fashionable and involves diverse participants of various backgrounds.

So, lots of interesting talk, and I was calm (I’m an introvert), and I think that it might be a slower process than I thought but that’s OK. I mean, it could be a kind of organic, long term activity. I don’t want to overcommit anyone, though! There was also the thought that we need to keep the involvement fun and lighthearted to an extent so that we don’t get burned out. I really enjoy intense activity but also I don’t want to be tired all the time, so I am hoping to help keep it fun and productive and that it actually helps things.

I’ve attached some photos I took of my kind of unconventional notes jotting down of some of the ideas bounced around in the group.

My notes:

GREEN SOUP

PUSH KINDNESS, GENTLENESS & OPTIMISM

SMOKED SALT, SMOKED PAPRIKA & SHREDDED BEETS, HIJIKI WITH AVACADOS AND TOASTED SESAME OIL

REGAIN SOCIAL SKILLS

CLEVELAND, A GOOD COMMUNITY

RELATIONSHIPS

VISION

LEARN & LISTEN

WHAT’S GOING ON?

STOPPING BULLYING; STOPPING THE BULLYING OF KIDS WHO ARE BULLIES

THINK ABOUT THE PPL, PARTICULARLY KIDS AND WHAT THEY ARE THINKING AFTER THE EVENT

BE ABOUT THE PEOPLE, NOT THE “PROGRAM”

FOLLOW UP

REFINDING OPTIMISM

ASK PPL IN AREA ~ REC CENTERS ~ HOUGH

WRITE A PAGE & LET THAT PAGE COME OUT OF U

CONNECTEDNESS

BUILD A MODEL ON CERTAIN PRINCIPLES ~ WHAT WOULD BE OUR CONNECTION TO THE COMMUNITY?

“THE LONGER WE TELL THE TRUTH THE MORE IT WILL BE THE TRUTH”

SHYNESS

CREATIVITY & COMMUNITY

“WE WANT TO TAKE THIS TO YOUR AREA ~ TODAY WE’RE AT THIS PLACE IN CONJUNCTION WITH ____”

COMMUNITY CAN BE LIKE A GARDEN

OUTREACH

PEACEMAKER ALLIANCE

COHESIVE GROUP OF PEOPLE ~ POETRY COUNCIL

AFFECT INDIVIDUALS: GO DO THE POETRY, GO OUT THERE AND SPIT SOMEWHERE

REVEREND BILLY, PERFORMANCE ARTIST

U.S. SOCIAL FORUM IN DETROIT, WORLD SOCIAL FORUM

DETROIT URBAN GARDEN COMMUNITY

RON SCOTT, BOGG CENTER

COMMUNITY RELATIONS BOARD OF CLEVELAND

ALLIED MEDIA CONFERENCE DETROIT

“TRANSFORMATIVE SOCIAL CHANGE DISCUSSION”

SCATTEREDNESS, BUT HAPPY, OPTIMISTIC, CHILDREN BIGGEST CONCERN

EDUCATION

HOW DO WE GET PPL ENGAGED B4 PROBLEMS HAPPEN, 2 STOP PROBLEMS?

“ME & YOU”

PRINCIPLES, PEOPLE WITH PRINCIPLES OF ENGAGEMENT

UNDERSTANDING PEOPLE

GETTING ENGAGED

LEARNING ABOUT PEOPLE

CARING

THE VALUE OF TEACHING & ARTICULATING

TRUTH

BEING MORE CIVIL

REMEMBERING OLD VALUES AND REAPPLYING TO NEW CONTEXTS

~ Lady

 

Working on healing systemic illnesses – new poetry series

Saturday, March 24th, 2012

We’ve been meeting with a friend to talk about what can be done in the poetry community regarding some of the most crucial and poignant issues of our larger community, and how to involve the larger community into a dialogue to collaborate on a vision towards which we can effectively work.

From my perspective there have been several reasons that have highlighted a need to somehow address and work towards a healthier global community.

  • A march I participated in in East Cleveland. We carried pictures of people who had been killed by some police. The sadness of this was driven home to me by the presence of family members of someone who had been killed.
  • The death of Nick Christie in Florida. He was masked, tortured with pepper-sprayed and denied medication by some deputies in Florida.
  • The beatings and pepper-sprayings of young people demonstrating in the Occupy Movement. One of the incidents is alleged to have led to a woman having had a miscarriage.
  • A recent shooting death of a person in Cleveland by some police officers. I think I read he was shot in the back but I might be confusing this with a different case.
  • Issues of respect from the people who are police and towards the people who are police. How do we address people politely in order to coax beneficial change rather than tease and anger and humiliate? (Example: recently I saw a photo of a donut hung from a string and dangled tauntingly in front of a policeman.)

So the initial impetus for this on my part was a sense that somehow all of this is based on relationships and community, and that the violence has been some kind of systemic illness in our community.

Some people have said that people who are police are only about protecting the assets of the rich, and that’s probably true from the perspective of some wealthy people, but I think that when people initially sign up to become police officers they are more interested in helping the community by protecting it. Perhaps structural illness contributes to the corruption and/or hardening of some police officers but I don’t think they go into the profession thinking “I’m going to protect the assets of the wealthy.”

I think estrangement has been the root cause of wealth disparity and violence. People who have been hoarding wealth have been doing so because they have not felt enough connection with community. And some people who have been victimized by this systemic illness have also been hardened to the extent that they have difficulty seeing the humanity of anyone who is wealthy or part of the police.

I am wondering how we can all become less estranged, and more part of the community?

Our friend organizes the NIA Coffeehouse, and on March 27 at 6 PM smith, me (Lady K) and John Burroughs are featuring. The theme this evening is “Poems of Power, Words of Life Against Violence and Brutality: Come Choose Life that We May Live and Live More Abundantly.” We invite you to join us (there will be an open mic) at 2555 Euclid Heights Blvd. (at St. Alban Episcopal Church).

And at this reading we plan to talk a little bit about a new series of poetry and spoken word gatherings, “BEING AT PEACE IN OUR COMMUNITY.”

 

Smith & Lady Art Show Opening and Poetry Reading Oct 14 “Razors of the Lost Arch”

Wednesday, October 12th, 2011

Detail from Black Leather Jacket

Photo: Detail from “Black Leather Jacket”

“Razors of the Lost Arch”
Opening Reception October 14, 6-10 p.m.

Enjoy assemblage art by Smith & Lady, eat stuff and bring poetry to read! Poetry starts at 7 p.m. with a “chime in” open mic format. Mystical, environmental and visionary poetry a plus to honor the salon, the spirit of the movies and the book, “Razor’s Edge” by Somerset Maugham.

Razor’s Edge Salon & Spa
2673 West 14th Street
Cleveland, OH 44113
(216) 615-7074

It may be that if I lead the life I’ve planned for myself it may affect others; the effect may be no greater than the ripple caused by a stone thrown in a pond, but one ripple causes another. –Razor’s Edge

..

 

Party Poopers

Friday, June 17th, 2011

Scene article – foto by Smith

I’m going to have to raise my rates. The Cleveland Scene article below refers to me as an “expert” and a “writing professional.” That’s gotta be worth something somewhere somehow sometime, right?

Party Poopers
Our experts weigh in on summer 2011′s hottest songs
by Adam Burroughs
Scene Magazine June 15-21, 2011

There are so many things to love about summer: the sun, the beach, the long days, the pop songs we’ll hear a gazillion times. But how durable are those songs that will be blasting out of our cars, iPods, and deck stereos for the next three months? We asked a panel of music and writing professionals about three of the hottest singles right now. And because they’re professionals, they dutifully separated the celebrity from the song and picked apart the lyrical and compositional elements of each. Party poopers? Maybe. But even Dylan had his critics.

“Till the World Ends”

Steven B. Smith, poet and former publisher of the Cleveland ‘zine ArtCrimes, says there’s no flow, story arc, or connectivity in the lyrics from section to section in Britney Spears’ apocalyptic dance-floor jam. Still, he points out that the line “tongue tied in knots” is a phrase used in B-movies to refer to fellatio. So Brit gets points for that.

Then there’s the line “You know I can take it to the next level baby.” “You know, I’ve heard that so much,” says Katie Daley, a performance poet and writing teacher. “I’ve heard that from guys in bars 20 years ago.”

As for the music itself, Steven Mark Kohn, a composer and composition teacher at the Cleveland Institute of Music, calls “Till the World Ends” just plain boring. But he gives the song a little credit for being “sonically powerful.” “The skeleton is basic and simple, and there ain’t much there,” he says. “But what is done around it is rather ingenious.”

“Born This Way”

Smith says the first single from Lady Gaga’s new hit album “could easily have been a so-so poem I’d hear at an open-mic poetry reading.” While shallow and obvious, Smith says, “Born This Way” has “a good message with a few dark hints of transvestites and drag queen shadows tossed into the mix.”

Daley, however, uncovers a little more depth in the song. “[This] could be an anthem to people who are feeling way outside — especially sexually, and I think that’s needed,” she says. “I appreciate that in the song, that there’s a little bit of a story with specific details on the speaker’s experience, as opposed to getting on the dance floor and whatever.”

Kohn gives kudos to the arrangement, vibrant synthesizers, and Gaga’s voice, but he doesn’t find the music fresh or interesting. “The same four chords repeat,” he says with a sigh. “A key change might be nice, but that might also throw people off who are hooked on the hypnotic groove.”

“On the Floor”

Smith likes the crude, animal-like energy of Pitbull’s opening blasts on Jennifer Lopez’s comeback single. But her response is pretty lame — especially considering she uses the word “floor” 25 times in 52 lines. “Jennifer’s lines are witless entreaties to drink and dance and vomit and fuck,” he says. “As song and poetry, it’s insipid.”

Daley agrees. “I found absolutely nothing surprising, specific, or moving about this,” she says.

Musically, “On the Floor” has even less appeal, according to Kohn. “Harmonically static,” he says, noting that the entire chorus is made up of one chord. However, he calls the four-chord verse “lovely” and acknowledges that it’s an arresting song. Still, it’s a musically uninteresting piece.

So how will summer 2011′s most ubiquitous pop songs fare in the long run? “They seem like cheap replicas manufactured by formula in a used Barbie Doll factory,” sniffs Smith. “They lack heat, head, or heart. But they’re making folks rich, so what can I say?”

Daley thinks it all comes down to how they’re sold. “It’s a very highly sophisticated science that people, adolescents — whoever is the biggest part of the buying public of these songs — are responding more to marketing than they are to content,” she says.

“I’m not going to slam these artists,” says Kohn. “I have respect for people who are hardworking professionals. There’s excellence even in these songs. [But] if we were just analyzing the music — notes on a page, not even the arrangement, just the notes played on a piano — this shit is all boring as hell.”

Cleveland Scene clevescene.com.
Original article at clevescene.com/cleveland/party-poopers/Content?oid=2622491.

Since I sound rather catty in the article above, I’ll round this out with a foto of our cat Mandy that the writer took during the interview.


our cat Mandy – foto by Adam Burroughs

 

On Libya: Let the amount of deaths be minimal. Let it be so.

Thursday, March 3rd, 2011

We are changing perspective and recognizing that air strikes are not humanitarian aid.

The UN is going to investigate the violence in Libya (http://www.thehindu.com/news/international/article1505727.ece), and it seems possible that Muammar Gaddafi (alternate spelling Moammar Gadhafi) will step down.

I say this because the opposition in Libya seems to be having some success. Take a look at this article: http://www.commondreams.org/headline/2011/03/01-8

It is possible, based on the information I’ve read of the opposition so far, that Gaddafi will step down from internal pressure. It will be interesting to learn more about El-Senussi and his perspective, and the history of Libya and social movements in Libya.

According to the article, Pro-Gaddafi militiammen were repelled by the opposition supporters when they tried to overtake Zawiya on March 1st. The article also says, “The cities of Misrata east of the capital and Gherian to its south also appeared to remain in opposition hands, as was virtually all of the east of the country, including several key oil fields.”

I spent some time trying to learn more about the opposition forces, and who they really are. Marc Ginsberg, the former ambassador to Morocco (appointed by Clinton), wrote an article on the subject. He says that there’s a fear the fighting could revert into a “Spanish Civil War” stalemate with Libya disintegrating into factions and tribal regions divorced from a central government. I disagree with his assessment (http://www.huffingtonpost.com/amb-marc-ginsberg/who-is-in-charge-of-the-l_b_830647.html) based on the fact that he was appointed by Clinton, has contributed to Fox News, and is very business oriented. (http://en.wikipedia.org/wiki/Marc_Ginsberg)

There IS one part of the opposition movement that gives me hope, and with which I can agree fairly fully. The group’s name is “The Libyan Islamic Movement for Change.” What I really like about this group is that it is unarmed, and is composed of “communists, socialists, liberals and partisans of democracy in the country and civil societies making various activities.” This group aims to change Libya by peaceful means. Let it be so.

The movement, which includes members of religious movements and members of previously arrested Islamic groups, is calling on the Libyan people to join them, peacefully. Let it be so. (http://english.sunnionline.us/Articles/Articles/2551-who-is-who-in-libya-the-opposition-and-islamic-movements)

The exiled crown prince of Libya, Mohammed El-Senussi, who seems to have some stake in the situation (and sympathy from the West as he’s been living in London since 1988), says that military intervention should NOT happen. I agree very strongly. Let it be so.

“Let me be clear. There is a difference between a no-fly zone and military intervention and the Libyan people do not seek external military involvement on the ground. That will not bring about the peace and freedom that we crave,” said El-Senussi.

Let the amount of deaths be minimal. Let it be so.

Not only is the UN planning to investigate, but EU leaders are going to gather on March 11 in Brussels for a summit to deliver a response to the crisis in Libya and the Arab world. However, the EU might have an economic stake in the outcome. So a resolution provided solely by the EU is not sufficient for action. A resolution provided by the UN, if supported by a lot of the Arab nations, might be sufficient for a better course of action. And please remember to take into account Libya’s own crown prince’s words–that he feels military intervention should NOT happen. I agree, and I also want Gaddafi and Gaddafi’s forces to cease killing people immediately, and I do not want foreign (US) intervention in Libya at this point, save for possibly, UN peacekeepers.

Also, we must take into account the relatively higher standard of living Libyans enjoy and the relatively high life expectancy. The information we’d been receiving in popular media outlets in the West about Libya and Muammar Gaddafi (a.k.a. Moammar Gadhafi) was incomplete.

By the way, I find this wikipedia article very interesting:
http://en.wikipedia.org/wiki/Al-Gaddafi_International_Prize_for_Human_Rights. Here is the list of recipients:

1989 Nelson Mandela
1990 “The children of Palestine”
1991 The indigenous peoples of the Americas
1992 The African Centre for Combating Aids
1993 “The children of Bosnia and Herzegovina”
1994 The Union of Human Rights Societies and Peoples in Africa
1995 Ahmed Ben Bella, Francisco da Costa Gomes
1996 Louis Farrakhan
1997 Gracelyn Smallwood, Melchior Ndadaye, Melba Hernandez, Manal Younes Abdul-Razzak, Doreen McNally
1998 Fidel Castro
1999 “The children of Iraq”
2000 Souha Bechara, Joseph Ki-Zerbo, Evo Morales, the Movement of September, the Third World Center
2002 Mamado Diaye, Roger Garaudy, Ibrahim Alkonie, Jean Ziegler, Nadeem Albetar, Ali M. Almosrati, Khaifa M. Attelisie, Mohamed A. Alsherif, Ali Fahmi Khshiem, Rajab Muftah Abodabos, Mohamed Moftah Elfitori, Ali Sodgy Abdulgader, Ahmed Ibrahim Elfagieh
2003 Pope Shenouda III of Alexandria
2004 Hugo Chávez
2005 Mahathir bin Mohamad
2006 ?
2007 Libraries of Timbuktu.
2008 Dom Mintoff
2009 Daniel Ortega
2010 Recep Tayyip ErdoÄŸan

Lady

 

re response

Thursday, December 30th, 2010

repent for 2010 – foto by Smith

I received this poetic comment:

who’s a we and who’s a they
that’ll be the day
when we say what they say anyway
you know what I’m sayin

- Jack McGuane

on my blogged poem:

They
wing word round
in classic clown
till dry discourse
rues rule
Courts gesture
recourse
of course
Lambs lame lions
and liars lie down
in one main line
of fool

And I received this surreal comment:

there’s a new street car, you ride free. the driver is some spanish cat related to Salvador of course. the TV innuendos lie in a hard pile by the exit. you’re taking home a DVD “Night of the Living Dead” it’s so bad it’s funny, like life in the “Golden Mean Way”, I had a teacher! he blew his brains out or maybe the subway at rush hour. how inconsiderate. good bread, good dope, I never said a word, they conned me with liquor and nose candy. when I looked at my watch it was late, no wonder the car was empty. now I’m just like the other guy paying fees for even on-line freebies, we lose at the temple of sour grapes, honey doesn’t pay, we make sure of that.

- donny

on my blogged poem:

Me, Myself and Lie

There’re three mes in me:
skin, brain, and bone.
and none of them will leave me alone.


Cleveland Oh- foto by Smith

 

definitely not list less

Saturday, November 20th, 2010







definitely not list less – foto by Smith

 

dylan now and then

Tuesday, November 9th, 2010

sketch of Bob Dylan at 19th Peoples’ Art Show, artist unknown – foto by Smith

“Yesterday’s just a memory, tomorrow is never what it’s supposed to be.” – Bob Dylan

Our main gringo friend and fellow marijuana / hashish / opium smoker down in Mexico was Mad Max, who had a young Bobby Dylan as a college roommate for 5 months just before Dylan exploded big time on the NYC folk scene in the early 1960s. He thought young Dylan a brash selfish unsharing arrogant man.

Max’s friend Stan also knew Dylan in college back then and told us a story of the night Dylan stopped by and was playing songs and kept bumming cigarettes. Finally Stan said he had to go out to get more cigarettes and reached for Dylan’s pea coat to wear. Dylan said don’t wear it because it wouldn’t fit. Stan put it on, said “see, it fits fine,” put his hands in the pockets and discovered an unopened pack of cigarettes. Stan also said he’s the one who got Dylan to start a journal after he showed him how other writers used journals to further their writing.

I happened to email Max the other day saying I thought Dylan our finest living poet and got this email reply:

~ ~ ~

“I never much cared for Dylan’s songs. They seem to me to be pretensions and a little too precious. Dylan never learned to speak as well as he wrote. Which is a fault in a poet. Poetry needs to be spoken; written it is stiff and dead.

“When I first knew Bobby he was just plain Bob Zimmerman. He and I, Hugh Brown, Dave Morton, we, shared a house on 15th avenue in Minneapolis, near the University.

“Dylan was an asset because he was a chick magnate with his soulful eyes and his guitar ringing out old ballads. He was a very inwardly directed person, which is not a bad thing, I suppose. Having grown up and been educated in Hibbing, MN’s public schools he was dreadfully ignorant. He could read and write, do simple arithmetic and knew American history as then taught; a sort of ‘life of the saint’s’ including Washington’s hatchet and Jackson’s brilliant eradication of the Cherokees.

“He was beginning to figure out that this was deranged, but he didn’t quite know how. We talked a bit about this. I was fortunate in that I had been educated by cloistered Franciscan nuns. I was brought up in the old way, the trivium – grammar, rhetoric and logic, followed by the quadrivium: arithmetic, music, astronomy and geometry.

“Bobby was, essentially a savage with a feeling for poetry but no acquaintance with its great lights. I gave him a copy of Dylan Thomas’ prose work ‘Adventures in the Skin Trade’ which he admired and from which he took his public nom de plume.

“I shall never be a great poet. But I shall do little works.”

~ ~ ~

As for me, I believe Dylan to be the best singer/songwriter of our time. As for his fabled early arrogance, I’ve found extraordinarily talented folk to be arrogant in their youth – if they’re great, they grow out of it. Not knowing him, I’ve only his lyrics to go by, but I’d say such was the case.

Madmax was also on the bridge with poet John Berryman the night Berryman jumped to his death (January 7, 1972).

Max is still down in Mexico gleefully drinking and smoking himself to death, while I am up here in Cleveland doing neither.

Here’s one of his poems, to give you a feel for the man.

Drunk, Going Down, Looking at the Moon
To my friends the Smiths, and Oaxaca

In the dim Oaxacan night’s light, I stumble, tumbling –
dropping my cane, looking at the moon.

No harm, no fault. The beer didn’t break, the pants never ripped.
Two beers, a joint? I was Li Po in that boat.

Looking, falling; he drowning, I bleeding a bit from the knee.
Same moon, same fall, same drunk…

Max

“If I wasn’t Bob Dylan, I’d probably think that Bob Dylan has a lot of answers myself.” – Bob Dylan


puppet of Bob Dylan at 19th Peoples’ Art Show, artist unknown – foto by Smith

 

 
Copyright (c) 2009 Smith & Lady
Designed by Lady K