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...and they lived happily ever after. Smith & Lady: poets, artists, photographers & adventurers.
Our relationship was forged to the soundtrack of Yoko Ono's magic,
frenetic, love-laden song, "Walking On Thin Ice." ( play song )
 
   
 
 

Archive for the ‘On Writing’ Category

Thanksgiving as a time of progress

Thursday, November 22nd, 2012

At Thanksgiving I think about the abundance that will be on the table, interacting with family members and the bustle of preparation. I think about pleasing people and pleasing my stomach. I think about symbolism and pleasing tradition while making progress.

I remember Thanksgivings past, the huge table and commotion at Grandma and Grandpa Ireland’s house. I imagine my Grandparents looking in on these words and looking in on us and helping when they can. I’m looking at a photo of them as young adults and I wonder what it was like for them–they must have been almost as responsible as they were when I knew them. I imagine them being much like my brother Jonathan and new sister Dedra setting up business. My grandparents were industrious.

And the holiday’s about giving thanks for the harvest. We have so very much abundance here that it’s a concern that we do not overeat. How fortunate we are. Even very poor people here quite often have enough to eat, although there is much to do to make sure that healthy food is affordable and accessible to everyone.

How can we work our harvest better? By making the healthy stuff more prevalent, by being more ethical in how we grow it and what we consume. By being kinder to Mother Earth so she can provide harvests for us in good health.

Reaching into the gist of the moment, putting my hand into the gist of the moment, what I’d like to do is really make stronger connections. Not to be poignant for poignancy’s sake, but to make progress.

Progress in our relationships–fulfilling the promise of how we thought we were going to be as capable adults now that we are older. Progress in my relationships. So Thanksgiving is not just a time to give thanks, but to show action concerning our thanks. To work on relationships. To use the dividends of our continuing maturity. To be what we can be.

I remember a family meal Smith & I were invited to in Mexico by a serious young man who practiced English with us. He addressed everyone around the table individually and thanked them for how they contributed to his life. This was during a dinner he put together because he was leaving Mexico to be a student in Canada.

I would like to do this at our gatherings, foster this kind of serious joy in recognizing each other’s importance. Perhaps some formality or format helps, even a game? We can foster this.

At Thanksgivings at my Aunt Jan’s and Uncle Jim’s, we have gone around the table and individually articulated what we are thankful for… can we take this opportunity today?

~ Lady

 

Disclaimers to the Universe RE Stations of the Lost and Found

Wednesday, August 8th, 2012

I know that the Universe is affected pretty profoundly by what one puts out. When I do an issue of the city poetry zine, a lot of poetic energy returns to me as payment. When I spend time learning stuff for work on my own time, more paid work comes back to us as payment. When I volunteer for an activist cause, frequently the next day there will be some court ruling in favor of my perspective. This is indeed a Reality of Mind, and the microcosm of one’s local environment affects the macrocosm profoundly.

As a person concerned with the material I put out and help with for the Universe, I’ve had a bit of a time understanding how to rationalize my role as co-writer of our new book, Stations of the Lost and Found.

I pick up the book, and sirens charge down the street. The air gets excited and the birds stir. The sun goes behind a cloud. I open it and read its words of crimes past, and I make disclaimers to the Universe. I wrangle.

But intuitively, there’s this ball of volition in me, a ball of understanding, and it feels that the book is a good thing. Not that I want people to do the actions in the book, but that Smith’s life is a life I might have wanted to have lived just to have seen it.

Hard life, for sure. Taking pictures of his penis for art. Armed robbery. Shooting himself up with cocaine. Seemingly countless injuries as he tore against the very edges of the fabric of reality. Talking matter-of-factly about masturbation. Showing his wounds from women and daring to write about crying. Oozing art and poetic dividends from the scars in his skin, the falls, the hemorrhaging, the cancer.

Strangely enough, even as his wife I am sympathetic to his character in the book as he moves through his twenties trying to figure out how to find love. Strangely enough, I want the character to find true satisfaction in his relationships with either Red or Maudlin. More sympathy for Red as she was his wife.

I want him to straighten out through that ordeal. I want for him to have not put himself in jail, but I love the stories of his experiences in jail. Love his story about his fear of Ringo but I wouldn’t want anyone to experience the situation:

For the first six months I was in the tiers. A tier is seven two man cells and a shower, all enclosed in bars. Each night we were locked into our cells, and each morning let out to wander the six by fifty foot communal area. Our tier had Ringo. He was big, black, brutal, and did not like me, not because I was white, but because I wouldn’t get out of his way when he walked. And he walked all day in a continuous oval with a short detour each loop around me. He was working towards hurting me, and said so. Ringo scared the shit out of me. But I scared me more because I wouldn’t give in. When I’m that afraid, I seem to go out of my way to piss off what I’m afraid of. And what I was afraid of was bigger, stronger, faster, meaner, and an admitted fatal fighter. I felt ill.

Then the odd backhand of salvation. I had smuggled one too many letters out of prison. This letter described a psycho guard and his abuse of prisoners and their families. The warden called me to his office, showed me the illegal letter and quietly said, “Smuggling is eighteen months. I wonder if you have anything to say about your charges against the guard?”

“What I’ve written is not only true,” I said, “but I haven’t even scratched the surface of Sarge’s verbal and physical abuse of visiting wives.”

Warden told Sarge to return me to my cell, and for me to think about the eighteen months and we’d finish tomorrow.

I went to my cage and I worried. I worried about tomorrow. I worried about Sarge’s retaliation. I worried about the eighteen months. I worried about my wife who was sleeping with an excon who was not me. And I really worried about Ringo.

Next day the warden called me into his office and casually told me, “You’re moving downstairs to the dorm. I’m making you head cook.” No mention of the letter, Sarge, or the eighteen months.

One thing every prisoner wanted was a job that got you out of the cells and into the dorm with its one locked gate, radio and TV. And of all the jobs, cook was cockerel’s walk.

Switching so quickly from such certain sorrow to overwhelming wealth fucks your mind, sends too many threads simultaneously in too many different directions. Yet I instantly flashed: I’m free from Ringo.

If you’re going to be in prison, the kitchen’s the place to be. The best thing about working in the kitchen was I could eat what I wanted when I wanted. And I could wander about and find places of privacy. The menu was pretty basic because a chunk of money allotted for prison food went to the warden’s house budget instead. Even though I had never cooked anything before, I’d cook things like fifty gallons of chicken soup. Once I was awakened in the middle of the night by the highway patrol who’d brought in a deer that’d been hit by a car. I’d never done it before, but I skinned and gutted that deer; did it two more times before I left. Whenever I felt like it, I’d fry myself a venison steak. Even when I fall into shit, I find roses around me.

There might have been ten of us in the dormitory, and over a hundred fifty in the prison. To be in the prison dorm, you had to have a prison job. There were dishwashers, food servers, people who fixed things inside prison, somebody who did lawn work and outside tasks and someone else who ran errands. There was no compensation to having a prison job other than getting to live in the dorm, having a little more freedom, and being treated a whole lot nicer. The dorm had a TV and radio and books to read. I always thought it weird to see prisoners sitting around the dorm watching cop shows on TV and rooting for the cops.

After I was down in the dorm a while, one of the trustees ratted out Ringo, who in punishment was supposed to be in a locked cell in a locked tier three floors up. We were all sitting around watching TV, and in walked Ringo, taller, stronger and larger than any of us. Rat was Woody Allen’s size.

Ringo said to Rat, “You ratted me out.”

Rat said no.

Ringo repeated, “You ratted me out.”

Rat really did rat out Ringo, and we all knew it. He had also ratted my letter. Rat started denying again but Ringo hit him hard in the face, knocked him to the concrete floor, and STOMPED five times on his head with his hard work boot. With each stomp, Rat’s head banged against the concrete and bounced up to meet the down-coming boot which smacked his head even harder into the concrete as Ringo said one word per stomp: “You. . shouldn’t. . have. . done. . that.”

None of us moved or spoke, not once. Ringo turned and looked at us to see if he had a problem, decided he didn’t, and left. Rat got up, stemmed the blood, and his head swelled to twice its size.

That’s when I knew I was not the me I thought was me, but the me I needed to be. It’s not my only lesson, but it is one that worked. Had I said or done something, one of two things would have occurred. I’d be dead, or the others would have rallied and we would have stopped Ringo. But had that second happy Hollywood scene occurred, at some time, at some place, Ringo would have found me and hurt me. I know now I did the right thing for me, but it did cost me my mirror mirror on the wall who’s the hero here of all view of myself.

I think the Universe has kept Smith alive because he has written his stories down and because he has pushed the boundaries as a kind of explorer. I’m hoping the Universe agrees and finds the story thrilling and interesting, but doesn’t let it cause harm.

~ Lady

~ ~ ~

The memoir Stations of the Lost & Found by Smith & Lady is available for $20 at https://www.createspace.com/3903652. We’ll have 20 physical copies in soon for first come first serve.

 

POETRY LETTER FOR SOCIAL CARING

Tuesday, August 7th, 2012

POETRY LETTER FOR SOCIAL CARING
For the Cleveland Five

There’s a machine that works on metaphor, action,
prayer, intent, art, words, poetry, communication.
It permeates and inflates. It girds up the health
of clay to pen open lung heart.

It works on levers, breath, promise points, little
areas we work to heal the big areas, the endurance
of holding softly to kind open mind,truths I can
muster as much as possible.

It’s a machine that trusts me and I trust it.
Advaita. This machines is me, Thee, the stuff
around me and Thee. It says “I am.”

The levers are consistency in truth and action,
keeping promises. The more promises are kept, the
more effective the oar. It stirs a reservoir of
ever renewing wellness. It rachets down
conclusions to tender secure for sure.

Promises are keeping the faith. Keeping the faith
can be doing the marginal things to make a
difference, to widen or winnow the circuit,
circumference, area, mindful resource.

Keeping the faith is having a foot in the door to
to nourish us, propping that door open to let in
the sun, the rain, whatever is needed for the
garden, the garden interior, the garden exterior.
The more calm discernment, the easier the
propping. The window. Windows passing through
bars.

Keeping the faith. How can one not forget some
sadness, gently? What genie lets one care and not
immerse in steeping ill-ly? Can the highbeam
eyebeams focus concern but not open danger vistas
on account of wanting to be healing? Ruach.

This letter is a ladder leading to a jail cell in
which someone for whom weather unladened something
rotten and I’m sorry. I cannot just skip tiles at
convenience, follow the yellow brick road with
abandon.

Thou shalt not forget; thou shalt not obsess too
much. Thou shalt not abandon. Cannonballs and
canons. Cannonballs through canons sometimes.
Cannonballs of canons. Personal cannons, cans,
ons, Can on. We can on. We can carry on. Our
cannoning of community histories. Our cannoning of
that which we wish to accrue.

Progress is carried on the rachets and the breath
and when we inflate with intent of best, when we
let the stuff wind kind for a long while, well,
that’s a good way. Progress is mindful of what has
happened, too.

I seep the silk of a ladder of attention to the
jail cell in which someone is not forgotten. The
silk is a tieline of care that kindles calm balm.
Light it like a wick. Let the candle be the
outside air, and the letter about ladder be soaked
in something that matters. Let the person
receiving this letter find his reservoir by
candlelight, softly, softly.

~ Lady

 

I SEE THE FIRECRACKER STARS

Wednesday, July 4th, 2012

I SEE THE FIRECRACKER STARS
(for smith)

If I run
if I listen
if I sit
if I walk
if I drive

If I am quiet inside
for a while

Let still
the hard banter

Let still
the goals

Let still
the grip

Let settle

Let settle
deep inside

lightly

nestle

listen

Wind kindles
stillness slightly

Wind kindles
water in the well

Wind touches

Wind coaches

I close my eyes and wait
and look inside

Ideas
are behind my eyelids

Sometimes the ideas
look like words

Sometimes the ideas
look like eyes

Eyes blinking at me
from the screen
of my closed eyelids

Eyes looking at me
out of firecracker
mandalas

Thus This has eyes
ideas
and wind

This comes
from deep
slow
soft places

It catches me,
the soft wind

It catches me
in a thorough net
of gentle
permeation

It catches me
when I let go
of the video camera
of the goal
of my quotidian ambition

Or sometimes
it catches itself
to my video camera
if my video camera
looks like a fun ride

Sometimes the wind
and the ideas decide
the video camera is a fun ride
and they run with it and
sometimes the video camera
is a caliper with sails
and sometimes
the caliper with sails
is a church
with an antenna

And sometimes
the antenna has legs
into the ground of being

And sometimes
the ground of being
sprouts two lovers
groom and bride

The lovers are part
of the sticky ground of being
they stick by means of gravity

Gravity through Mother Earth
permeates and pulls us

Gravity moves Two
back to One again

Fastened forms
mud and blood
we throb

Gravity is love
and it fastens the soles
of our feet on this ball set on course
through itself

Following the wind
of the sun

Slogging through it,
slogging through itself,
warm form slogging through itself,
warm form embracing itself,
warm form when I wrap my arms
into You

Warm form
clumping together,
clasping itself,

Threads
when we clasp,
embrace

I lay myself into you

Looking into the thrub of your chest
I see the firecracker stars

The graced transcendence
behind our eyelids

The eyelid
of your chest

The eyelids
of our Aye

~ Lady

 

 

Walking on Thin Ice

Thursday, June 7th, 2012

Walking on Thin Ice is not about the world losing polar ice caps. We’re going to stop that. We’re going to thicken those ice caps right back up. We’re going to populate the glaciers again. We’re going to make sure there’s an adequate head of snow on the Himalayas and everywhere else that its needed. Cool breezes bleeded.

This blog is named after the Yoko Ono and John Lennon song. It’s the first song by Yoko Ono I ever heard, and smith introduced me to it. In my opinion, it is one of the most far out yearning and tragic songs ever made. They were finishing up the song the day Lennon died. I only learned a long time after naming the blog that such sadness had happened around the generation of the song.

When I listen to it, it brings back the giddy creativity, the yearning sated, the ecstatic discovery I experienced when I hooked up with smith. I listened to it on “The Best of Yoko Ono” album over and over, spooling my Miata around, lost and found. It was novel, yet old. Like smith.

In the months after we hooked up, I’d collapse on his rocking chair sofa and poof into smoke. He told me the rest of his stories for his memoir. I tore down his cancer. I spackled the walls. I barfed as he was irradiated. We made art. Night time was Ono and Meat Beat Manifesto. Morning was Mingus, breakfast and golden sun.

Walking on Thin Ice, in the song, is about daring do on the edge.

Walking on Thin Ice is about adventure.

Walking on Thin Ice, in smith & lady’s lives, is about walking on water.

~ Lady

 

 
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