AD.

WALKING ON THIN ICE

lady’s field guide


self portrait – foto by Lady

Lady’s been added to the Cleveland Poetics’ NEO Poet Field Guide. Her foto above, text below.

Age: Mid thirty-ish, startled

Habitat: Tremont, recovering in a womb/nest. Smith’s art, thrift store lazy boy & flowery sofa covered in Mexican blankets. I yearn for the novelty of other countries but I really don’t want to be anywhere else but here, now. I miss the place Smith lost, his old place down the street. I’m trying to recreate it here. This building we live in’s got a creative vibe. Heavy metal musicians practice in the basement. It’s a good place for insanity. There’s continuous traffic noise from Scrapyard Commons and the freeway, and it feels like a kind of reassurance that civilized activity goes on, though I don’t know how we’re maintaining it. I want to ride on the highway for the heck of it like I used to, a midnight orange streetlight innocent anticipating wow around Dead Man’s Curve.

Range: Looking at the rug in Mac’s Backs basement, the hi & bye in passing at Lix & Kix, Lawn Poet Society at the Brandt, the storage room at the Literary Cafe.

Diet: Poetry? Local, authentic. I look for revelation, manna from God. Or raw awful truth– what’s really inside your head, not what you aspire to. Though Mark Ireland recently asked me if truth and beauty were at odds with each other and I said no.
Steve Smith saved my life with truth & wisdom & kindness & vision. “Work rolling rock, returning, dirt burning.” Other authors: anything I include in thecitypoetry.com is a lesson for myself, something I want to preserve for myself. It takes a long time, effort for me to develop an ear for someone–only now have I started to appreciate Daniel Thompson.

I like Coen Brothers movies for the dialogue. I like stupid comedies. I really liked the movie Sunlight for pure beauty and a kind of rarified sci-fi gestalt. Sci-fi was my original love but a lot of it seems immature now. Bladerunner used to be my favorite movie.

I watch a movie every day. I don’t have passion for them anymore, though. Since writing a book with Smith, watching movies doesn’t satisfy, and poetry doesn’t satisfy. I want to do something big. Working with Smith was the best thing I ever did, the most satisfying, and I hunger for an experience like that again. I feel like the promise of revelation will come via creating my own work rather than passively reading or watching someone else’s work. Other work does fertilize my mulch pile, but my ego wants my truths to emerge a priori, sui generis.

Distinguishing Markings: The City Poetry Zine (thecitypoetry.com), Criminal by Smith & Lady (unpublished), sometimes anthologies by Bree. My poetry sometimes appears in Wendy Shaffer’s blog, House of Cats (poetjungle.blogsome.com/), and Jesus Crisis has posted some of my poems in his online library (http://library.crisischronicles.com/categories/Smith%20%28Kathy%20Ireland%29.aspx). My blog walkingthinice.com contains some of my raw output. Agentofchaos.com‘s got some older stuff.

Predators: Painful, pain! Zen Buddhas. Beautiful women who take my breath away with their power when I try to look in their eyes. Real people. Young, intelligent people. Upright people. People with opinions. Judges and Empaths.

Prey: The casual casualties of my inability to hold it together, like you got to juggle balls to be with people, you gotta have some anti-gravity, and I just don’t got that, bootstraps require too much tension. My goal is to be calm, I’m learning how to unbind the braid I hold in mind. I feel prima donna pain and shame, complicit but well-meaning, I want no ugly feelings but they’re there. I want to be faithful to truth yet leave so many errors hanging.

Call:

VALLEY GIRLS
Childhood was a discount store, the ice cream stand
or Headlands Beach. We were as real as a Polaroid,
in our feathered hair & blue jeans. My stick arms
freckled down to my large hands. Your skin as gold as
your smoky living room. We were the beautiful
12 year olds, each other’s context, our words were boys.


on her way up – foto by Smith


detail of This – collage and foto by Smith

Dial a Prayer

Use phone
Dial atone


detail of RSVP – collage and foto by Smith

might as well live


suicide – foto by Smith

Resumé

Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren’t lawful;
Nooses give;
Gas smells awful;
You might as well live.

 – Dorothy Parker (1893-1967) from her 1925 poetry book Enough Rope

Dorothy Parker had several suicide attempts; she first tried by slashing her wrists in 1923. She also tried overdosing on the sedative Veronal, consuming a bottle of shoe polish, and taking sleeping powder; she finally quit after her last attempt in 1932.

I know two folk who have killed themselves – my 30 year old younger brother Cat blew his brains out in the back of his pickup in 1987 to teach his wife a lesson for leaving him for a rock musician, and our artist friend Bill Wolf hung himself last year at age 61 down in Oaxaca to escape cancer.

Over the years I’ve thought of suicide myself but could never approach it seriously. I don’t like pain so could never hang myself, shoot myself, drown myself, crash myself, or slit my wrists because what would happen if your last moments linger forever in your soul’s mind so you spend eternity feeling that dying pain.

Same logic holds true for offing oneself with an opium or other drug overdose – if there is an afterlife, I wouldn’t want to start it off with a fogged brain because according to The Tibetan Book of the Dead, there are decisions the spirit has to make immediately after death, and just in case that’s true, I don’t want to befuddle my chances with haze causing drugs. (The only one I remember from TTBotD is do not go toward the orange light, which in my poem below I reference in the line “Dying the silent, sinking orange“).

No, were I to kill myself, I’d starve myself to death because every now and then (mostly then) I fast for 3 to 5 days and I’ve noticed after the second day of not eating I become high, serene, light, focused, alert, and happy – and after about 36 hours of not eating, I am no longer hungry.

This way I could get lighter and higher and happier for 4 to 6 weeks and blog the whole thing the whole time. Plus I’d weigh almost nothing when done so my removers would have less work to do.

But I’m not thinking of actually killing myself. My “suicide” will come from the globally warmed earth ceasing to feed me because it can’t grow crops anymore. Of course in this scenario we’ll have lost electricity and the internet so there goes my final audience.

Besides, I can’t kill myself – my younger brother already stole that performance piece and I hate to be a copy cat.

I did have two performance suicide pieces conceptualized. In the first, I was going to pre-sell my suicide, get the money upfront, enjoy it for awhile, and then jump out of a 2 mile high airplane without a parachute and broadcast my last thoughts live over radio all the way down. In the second, I was thinking of preparing a 12 foot square canvas with paint, sharp objects, corrosion and slow drying glue, place it flat on the sidewalk, then jump off a 7 story building and land on it, carrying a few gallons of acrylic polymer medium with me on the way down to splash over me and seal me after I splat. Perhaps if I were really good, I could combine the two and fall two miles through the sky and then splatter on my canvas target.

But again, both scenarios involve sudden abrupt unpleasant intense trauma, so we’re back to my basic problem of not liking pain.

Years ago I solved the whole dilemma by deciding I simply wouldn’t die – I’d live forever like the Willoughby Librarian prophet prophesized I would at a Chagrin Falls new-ager party back in 1977. But since then I have become too weary of the world and its human inhumanity to each other to want to live forever, so now I’m opting for serenely dying in my sleep. That’s the nice thing about fasting yourself to death – at some point you simply go to sleep and never wake.

Or, they do call an orgasm “the little death,” so maybe I could just keep masturbating endlessly and let all the little deaths accumulate into one big final endless sleep in the sky. This would be my Meat Beat Manifesto scenario.

Anyway, here’s my own suicide poem written 15 years before my brother killed himself – it’s not nearly as much fun as Dorothy Parker’s, but it is quite erudite.

Suicide Note

Poor naked ape, melancholy Dane
Dying the silent, sinking orange
I offer my praise to mad Ophelia’s black mass
Receiving Laertes’ pain poisoned harangue
I’ll soon join that fortunate lass
Morpheusly oblivious of pain
   (Camus’ first question of philosophy re
    weaves Thane Hamlet’s “or not to be”
    brings Kant’s “progressive unification of
    sense manifold” to termination: total
    psychic expiration. Hence our sole
    existential goal becomes fervently wishing
    good death’s black ghoul to sensually become
    as one with our whole)
Where God assumes skull Yorick’s reign
Stay yet awhile Horatio and give lie to my name

 – Steven B. Smith, 1972


aftermath – foto by Smith

parallel lady


Lady on the other side – foto by Smith

Wrote five shrinking stanzas from these two fotos of Lady.

She was sitting on the couch 6 feet to my oblique right as I took fotos of her reflection in the window 6 feet to my oblique left which makes it look like she’s floating 12 feet out in the night in Twilight Zone light. A poem of illusion and Lady.

Parallel Lady

I wonder what goes on in Lady’s mind
as she sits other side the window
in light of reflection
her thoughts re-refracted
through barcode rejection

coffee cup extending
beer bottle bending
no intersecting
angles entwine

line within line
nonpareil
find

closer I get
the more I see I know less

after hour on the other side


Lady and Illusion – foto by Smith

woe is us



woe is us – foto by Smith

the beauty of artificial virginity

“The world is a tragedy to those who feel, but a comedy to those who think.” – Horace Walpole, English writer, connoisseur, and collector, 1717-1797.

My weekly collection-of-headline blogs are ridiculously easy to do because of all the greed, venality, vanity, shallowness, selfishness and stupidity inherent in our world’s Corporate oligarchy and their consumer sheep pens.

But I don’t collect and blog these headlines because they’re ubiquitous but because one or two headlines at a time can be dismissed as anomalies or one-time weirdnesses while a dozen or two blogged week after week say something seriously wrong is going on.

We live in a world where the size of Dolly Parton’s breasts, or what lies Jon and Kate are telling on each other, or which Hollywood puppet is sleeping with which Svengali is more important than how many civilians our military accidentally kill each month in “collateral damage” (how sick is it that they even have an official military term for murdering civilians?), or how many babies die from hunger each week, or how much more money the bankers steal from us each day.

While everyone is talking about who David Letterman slept with or how much audience share Jay Leno has lost, American Corporations kill African babies by selling them outdated baby formula and medicines they can no longer legally sell in America.

Life keeps banging me up against the Zen goal of living a happy life in an unhappy world. I’m starting to glimpse a couple threads of the solution: one is to help those less fortunate, a second is to withdraw like the monks from this world of the rich and powerful feeding on the weak and poor, a third is Camus’ suggested suicide (i.e. blowing your brains out so you’re no longer part of the problem), but none of these quite work for me, so one day I rail against the inequities and sins of the rich, while the next day I mock them to their faces, and the day after that just ignore their ever-present evil and try to deal with my daily small happinesses.

Over 150,000 people die every day around the world – that’s 5.5 million a year – and most don’t die from old age but rather from disease, starvation, lack of water, lethal products, no health care, and the fact that the U.S.A. has a habit of going into other people’s countries and killing their non-white citizens by the bomb-full.

My hope is souring, my outlook bleak, my heart heavy. There are some really mean, venal, lying assholes out there doing their very worst to end it all for all of us, such as the flat-earther religious wrong who yearn for the rapture so they can return to their psychotic gods and are trying their damnedest to bring on the end-of-the-world for everyone. I wish there were some way they could wipe themselves out and leave the rest of us alone.

And so I sit and pet my purring cat and cast these headlines upon the waters.

ALL THE NEWS THAT’S UNFIT FOR HUMAN CONSUMPTION (warning – may cause mental bile) . . .

Are You Depressed, Or Just Human?

Cities Too Poor To Bury Dead

Conservative Bible Project Cuts Out Liberal Passages

Shroud Of Turin Reproduced; Group Says Relic Is Man-Made, Fake

Egyptian Lawmakers Want To Ban Fake Hymen Kit

The Beauty of Artificial Virginity

First blood: Introducing “menstrual activism”

Judge accused of having sex with inmates

Supreme Court To Hear Animal Sex Fetish Case

Study Claims People Would Give Up Sex Before Cell Phones

(and from our International Addition . . . )

Seniors Get A Discount At Australian Brothels

Australian Kangaroos Culled To Make Way For Car Race

Australian Racing Fans Limited To “Only” 24 Beers A Day

Stress Killing Australia’s Iconic Koalas

HEADS OF STATE: Which Leader Has The Best Hair?

This is what it’s all about isn’t it — who has the best head of hair, or the fastest suit, the biggest boat, the widest wallet? It’s all studies and polls and spin where we lose so they win.

There’s too much worry about artificial hymens while the world warms, wealth wanes, and we wobble.

Call no man happy till he is dead.” – Aeschylus, 524 – 456 BC

roads two travel


white bird of hope – foto by Smith

Wrote this after reading Lady’s last few blogs dissecting her inner demons. I’m thinking of my own dark despair within which I can’t look at too closely because they might rise up in revolt and I’ll become the darkness I dread.

Roads Two Travel

Wife writes of walking inner halls
darkened in disgust, discourse and disrepair

I work a much different mall
detour dark thoughts locked within forgotten lairs

She faces fractured facets, failed fractals
I ignore my dim port, impose sleight of hand

I won’t see my inner asshole
while she strives for a higher strand


angst – foto by Smith

perpetuating chalklines

It’s like I search for puzzle pieces
with perfect borders that snap right in

Or the borders are transcended;
I’ve faith that the borders will merge together

The ridiculousness of expecting
life to be like a bunch of puzzle
pieces, easy to fit together!

Or that life is a microcosm,
my individual experience a microcosm
of an ordered whole

For all things fall to an order
that will work
or jut up against itself, the shambles
creating new equilibrium
in their collapse

I’ve a self-directed life
whilst holding the invisible assumed map of myself,
just walking through the narration of my mind,
informed by memory’s snapshots,
aiming for ease

– – –

Everything serves the biological overdrive. The overdrive is the front seat driver. We are only passengers. We observe the scenery going by. The biological overdrive, being the driver, has its own agenda. The agenda of procreation. The ends – the means the path, the scenery just interstitial feature, just scenery.

The journey is not the destination for the biological overdrive.

The biological overdrive serves an absolute, and that absolute is to perpetuate another absolute.

But is scenery just scenery? Is an end a means to a path? We dance on the path to our absolute nothings. We dance in the concrete debris of now, the bounds of the floor our tangible feeling. Can’t feel the end, but can feel the now. The serpent is the secret vector, the directed arrow.

– –

I choose to indulge in banana bread with butter during the cycle of suffering. And in celebration of my root chakra, I will jog on the concrete sidewalk.

Lady

A HAND LEFT HANGING

A HAND LEFT HANGING

For assured purity,
lowest common denominator,
I despise myself

I’m a circle-jerk perpetrator
my named intent good
but like the xray of an internal cog machine
like someone who’s read too much psychology

I despise myself    despising myself
It’s a kind of security

For the purity of my ego
I despise myself

I despise myself    despising myself

I pervert
the intention with my transform function
I pervert
the balance of my summation

I am the watch watchering watcher*

For the purity
of the ego
I pinch out my eyes

No ego
is good ego

For faith in my good grace
I let myself go

For a manufactured absolute
I pinch out my mind

How can a hand tear itself?

Each step parting waves of moment
perfectly parsed

Each sway of head interlaced
to rest

For faith in my good grace

The germ’s within the soul,
original sin throughout the whole

Lady

* Seuss

ferlinghetti’s phrases


cover art by Ferlinghetti – foto by Smith

I’m reading Her by Lawrence Ferlinghetti a few pages a day in the bathroom. Lady bought it used (original 1960 price $1.35) and one of the previous owners underlined the oddest lot of phrases I’ve come across – I can find no rhyme or reason, mete or metaphor, approach or pattern in their selected phrases. Sometimes there are 4 phrases underlined on one page, then dozens of unmarked pages come along.

It is a poet’s novel – all dreamy stream of conscious surreal, punny, so far in the first 63 pages no plot beyond looking for some pure Her in Paris.

There are 156 under-lined phrases. I’ve not added, rearranged or changed anything. but I did delete 59 lines, so we’re down to 97 phrases underlined by some unknown person sometime between 1960 and 2009.

I could have deleted more phrases, but the beats always tended to be long anyway, so this is truer.

Here’s a brand new Beatnik poem from a real Beatnik’s 1960 Beatnik words now 49 years re-used.

Like a Far Note in a Blue Bottle
(words by Lawrence Ferlinghetti, edit by chance and Smith)

I was bearing a white phallus through the wood of the world,
I was looking for a place to plunge it,
corresponding almost exactly to reality,
Like an extra in a grade B movie,
I was looking for the main character of my life,
merely a dumb member of the audience
strayed onto the stage by mistake,
looking for some printed program he had dropped under a seat.
I had somewhere dropped the key that explained the action,
interchanged, fused together.
ran off through the streets of the world,
a small eternity passed,
I returned and returned.
a scene I had already painted
the paint had now grown wet again
a melting mirror
suspended in silence
a waiting hush.
exiled me to spend the rest of my life picking
strings in the streets of Paris.
recurrent delusion
utmost clarity or hallucination
mounted on the beast of myself,
a toilet ball, flushed.
goop
after the beginning of eternity
one pollywog willing to lose its tail
and thus establishing the existence of free will
undecided embryo just beginning
vaguely like a statue of inhumanity
Miss Liberty on a canceled postage stamp
in a cracked shaving mirror under a bare bulb
junk
jism
fertile rain
turning over the coins of house numbers
mad hero
horny hand
wet clay statues
faint smell of parrot droppings
the streets of the earth
fossil footprints
knotted rubber bands
an anonymous receptacle into which I could pour myself
Shot sun
classic columns holding up nothing.
like an amoeba surrounding its food.
skeleton key,
keyhole,
made of real American pigeon feathers,
Love
Poetry Revolution
pocket watches hung from trees
crowds of black berets and herds of sandals
combing their hair with Grecian lyres.
mad poets
Occupation of the world,
junkie midnight sun
my face in the cracked shaving mirror beneath a bare bulb
in and out of reality.
one huge landscape of flesh,
unbaked clay
innermost swinger beyond the self,
pavement slipped under,
stationary, running.
manufacture existence,
squeezed from a tube,
sperm rain,
enigmatic smile
like the tiny tail of a swallowed goldfish,
the cool eye of the fourth person singular
light from illusion
euphoria
mad blind owl
like a far note in a blue bottle
pad parties
true beat paint-poet
ice-cream hills
ivory skin
corkscrew ladder
eternal tourist in Hell
white as the bleached skull of a cow.
made of mascara,
polyphoboisterous
black flower,
rolled my life in a cave and put a stone in front,
the green leprosy of moss
B.O. of the soul,
a round egg in a square world,
disarm
unharm
alarm
when my pinball machine registers tilt
heaven might really fall down on the whole scene
zow wow
who stole robin’s cock
wonderful wizard of odds

(taken from under-lined phrases in A New Directions Paperbook 1960 4th printing of Lawrence Ferlinghetti’s novel Her. The word “zow” is not Ferlinghetti’s – it was added just before “wow” by whomever underlined Ferlinghetti’s phrases)


Dharma Bums, Jack Kerouac – foto by Smith