AD.

WALKING ON THIN ICE

blog bog

foto by smith

2 items of blog clarification:

1)
the 3 fotos which were my last blog do have have meaning – which is:
foto 1 = the way of the flesh (tiger and half eaten dead deer)
foto 2 = the way of the spirit (flower & sun)
foto 3 = it is up to us which of the 2 we choose (human hand)

2)
in my blog before last, lady thought my statement “there is no other side” depressing.

maybe, maybe not. i said there is no ‘other side’ because once you get from here to there, your there becomes here, your other side becomes this side, and you begin again.

the end of our 16 months traveling will be chicago – the other side of this journey. but once in chicago, we begin anew creating a new home, a new poetry scene, a new art scene, finding new utensils, new furniture, etc, so we start over with there as new here, with that side now this side.

it’s always going to be this side trying to get to the other side… it’s always striving today for a better tomorrow – but bottom line, it is always now and you are always here. so be here now as ram dass said. as long as you are alive, you’re living, and living ain’t easy… interesting perhaps, but never effortless. no matter what you’ve done, there’s more to do. you’re always a work in process, and the process is called life. you’re done when you’re dead – maybe.

Damaged Good

The doubting vessel
Strong, unbroken
Sours water, ruins wine

The damaged vessel
Holds its token
Service, beauty, duty, time

The one excuses
The other uses
Which in fact the finer find

The better bitter
The lesser greater
Truth is action, action prime

foto by smith

spider spin

foto by smith

i hear our commander in grief is adding a dash of rue with a wooden spoon. big fly buzzing back and forth. dog bark down the lane. sit in sun and ponder worth. wonder who to blame.

at least in my own life, i know my bad’s my fault. as for the good in my life, i have to give a lot of credit to luck, timing, and chance.

before lady and i cast ourselves off from our country, she said we were like the spiders who spin a bit of web, jump off the edge and fall until a breeze catches their web and carries them to the other side. if they don’t make it to the other side, they crawl back up and fall again and again until they catch their breeze. but i just realized, there is no other side… life’s all spinning and falling and hoping – with no other side. or if there is another side, it’s called death. so we spinning and falling and crawling back up and spinning and falling.

foto by smith

LIZARD LOVE

By the way, Smith posted a new gallery of my pics
from Italy, France, Spain, Morocco, England this year.
Many of the pics have been blogged.

55 lady k’s

foto by smith
foto by lady k

here’s 55 fotos by Lady K from Italy, France, Spain, Morocco, England taken 2007. this is her best batch yet. have to do a greatest pics page of her stuff down the line.

by the time we return to the states in october, i will have spent 11 of 14 months in non-english speaking cultures. english is all i speak (besides poet). i find i like not understanding the language – it means i don’t have to talk to anyone. i have less and less to say the more i live.

foto by smith

I’M LEFT, YOU’RE RIGHT, SHE’S GONE

“Shall we have another pipe?”

I don’t know. Is that ethical?

“Yes. So, Mr. Smith…”

Yes?

“Who are you anyways?”

I’m a work in process.

“I like that rather than progress.”

I’m a refugee from the Procedure Police. I probably have less of an idea now than I did before we started traveling of who I am. I’m regressing.

“Well, I know who I’m not.”

I got little bits and pieces of secret knowledges.

“That reminds me. I remembered that I remembered and then I forgot. But I remembered that I forgot and remembered.”

One of Elvis’ early Sun songs was “I forgot to remember to forget.” Another one he had in the same vein was, “I’m left, you’re right, she’s gone.”

“That’s pretty profound. I didn’t know Elvis could be so profound.”

He didn’t write the lyrics, he just picked the songs. But he was a profound picker.

“This kind of trivia I like. It actually means something.”

two olde farts & a young chick

foto by smith

we read with Beat-inspired London poet Jazzman John Clarke under the banner Two Olde Farts & A Chick. John is 59, Lady 34, me 61, so I thought that a fair title.

it was a marvelous evening of 9 acts interweaving music, song, spoken word, comedy and magic card tricks. so now we’ve heard and seen more creative good than bad this london loop.

here’s what lady and i recited last night:

Lady & Smith – 7 poems recited at London’s Railway Pub
or
MY LUSTING RIBS by LADY
JANUARY AT THE BEACH by LADY
OUR BEST MEMORY by LADY
WHEN EYES WERE TERRIFYING by LADY
Bye Buy by Smith
Alone This Train by Smith
Marriage Proposal by Smith

foto by smith

WHEN EYES WERE TERRIFYING

WHEN EYES WERE TERRIFYING

To see, I disregard
the ever present bridge
of my nose, or it drives me
to mental vertigo and
permanent cross-eyedness

If I unfocus, let still, hairs,
or maybe creatures, float into view
jelly monsters in a fuzzy picture

Vision’s a recurring thought,
a whim of ticklish accounting in
my slippery mental mudslide

Were I to amputate and dissect my eye,
would it be some onion yellow
roughage layer rubber ribbage,
isolate pages from the knife?

My horror is gone
with the daily application
of drops and lenses

But I remember when

eyes

were terrifying.

Lady K

homeless bound

foto by smith

lady and i each have 5 minutes to recite tonight alongside beat-inspired poet jazzman john clarke – we’re performing as Two Olde Farts & A Chick (john’s 59, i’m 61, and lady’s 34, so i thought the title apropos). this gives lady 4 reads and me 3, so london has been more than kind to us.

however, we are tiring of this grey chilled damp english weather. we’ve had 2 weeks of sun in the past 8 – which is a shock to my system because the 3 months previous were spent under moroccan sun. we left 100+ degree daze to come to 60 degree haze. of course the hot heat there had no cool poetry readings, while the cool readings here do have heat.

been in london 5 weeks. leave for france in 8 days. it took me 3 weeks this time to bounce back from our 6 residence changes in 4 cities on 2 continents the previous 4 weeks. the more months we’re on the road and the more moves we make, the longer it takes me to bounce back after each. i began tiring of our journey last april in spain enroute from france to marrakech. of course the painful spanish trainful to barcelona, the madrid airport food poisoning, and the multiple diarrhea attacks in morocco didn’t help me body or soul.

humans take comfort from familiar surroundings, from having a home base, a circle of known aquaintances, knowing where to buy what they need, how to get around, where what is. lady and my not having a link to the familiar has cost us enormously emotionally and mentally – even physically.

we started a ‘process’ when we sold our place, gave away our possessions, and began open-ended world travel. we more or less choose where we’re going next, and for how long, but beyond that, it’s been out of our hands because it’s always in a new place with unknown people unknown problems unknown rules. we’re in never-ending turbulant waters trying constantly to stay upright. we have little control, even less focus. we’re process, not procedure.

we began this journey knowing it would change us, refine us, strengthen us, fulfill us, charge up our creative databases. and it has – we’re just not sure yet how because we’ve not stopped in familiar grounds to evaluate where and what we are.

i’ll be good to stop our wandering after 16 months and settle down in chicago for a year or two in december (before we hopefully begin wandering all over again). i’m tired of being homeless bound.

foto by smith

the writing process, ronnie mcgrath, geoffrey landis

London boutique, photo by Lady K

I’m trying, trying trying to commit to one writing project. I jump back and forth in haphazard fashion, trying one thing after another. We have all Smith’s stories written down for his memoir, and that’s going well but now it’s his turn to work on it. (I’m also editing it.)

My various writing projects are my weight loss journey, a memoir about American childhood in the 70s and young adult love-angst. And I’ve tried some future-fi stuff but also can’t commit to anything. Everything’s in pieces and I can’t focus.

I’m in awe of people who write fiction. I think most fiction must come out of peoples’ particular expertise in an area. I just finished “Mars Crossing” by Cleveland sci-fi author Geoffrey Landis. He works for NASA, and his novel is “hard” sci-fi, which I guess means that it is rooted in reality.

I emailed him to try to get some insight on the writing process. In particular, conception versus process. Landis does write with destination in mind.

We just met this awesome poet here, Ronnie McGrath. He’s also written a book — On The Verge Of Losing It — and I’m dying to ask him questions after I read it. McGrath seems to come from the other end of the creative spectrum from Landis. He said that for OTVOLI he invented his characters and let them lead him through the story.

Here is a sample of McGrath’s poetry:

FINE RAIN

We float like atoms
in the selfishness of fine rain
each to their own pair of shoes
jumping in and out of clothes
where the body is more obscene
than the slithering tongues of ice-lolly sticks.

We occupy the shells of all things mainstream
locked into the handcuffs of a virtual reality
where tradition more rigid than
the constructed robes of hymn-sheet books
throws their ancient songs at the contemporary
world of old-folks.

We swim like fish in a culture of space and time
where the surface of things
more threatening than the patient gaze of egg timers
bore holes into the unguarded pens of fiction writers.

But in the portraits of their over-development
Mona Lisa smiles
as the needle-marks derail violently
as teeth are buried
as the black-eyed peas of fisticuffs knock-down houses
as the sugar-cubes of horses kick in doorways
as the record-decks of a bass-generation

hang brothers loosely
strange fruits
hanging
and falling
in the struggle to rise
from the chains of themselves.